This chapter from Sarat, Anderson and Frank\u27s, Law and the Humanities, An Introduction (Cambridge U.P., 2010), opens with a post 9/11 clinical teaching war story, concluding so much for acronym, euphemism, context, signifiers, and what they signify, writing, positive law and its bureaucratic and institutional simulacra, institutional and disciplinary discourses, surprise, its absence, familiarity, shock, and outrage; and cultural stories, tropes, schemas, or plausible narratives, like the performance of both truthfulness and trauma, or what we might call their discursive construction; and the sites where law and language are evident kin. What of law and language? What does telling stories about law, including the genre of war stori...